I make images because I believe in the power of imagination to transform how we see the world. Inspired by the words of Duane Michals—“To photograph reality is to photograph nothing”—I am drawn to photography not as a tool for replication but as a medium for reinterpretation and emotional resonance.
My work explores the essence of subjects—colour, light, shape and texture—inviting the viewer to connect with a deeper feeling or memory rather than a literal scene. In a time when digital technology has made photography ubiquitous, I embrace experimentation that breaks from the familiar and creates something truly personal.
Using my camera as a brush, I create images through in-camera techniques such as Intentional Camera Movement (ICM) and Multiple Exposures (MEs), often combining the two to reveal a world that feels both abstract and alive. Each moment, shift in light, and interplay of colour produces unique, unrepeatable results—a visual echo of the imagination that inspired it
My creative journey has expanded to include mixed media—merging photographs into digital collages and using techniques like Gelli plate printing and AI-generated foundations. This ongoing exploration keeps my practice fresh, surprising, and full of discovery.
Above all, I create to inspire curiosity—to make familiar things feel new and new things feel familiar—and to open a space where viewers can find their own stories in the images.
I’ve been honoured to exhibit internationally, with work featured in group shows in London, Birmingham, Harlow, and Switzerland, and in respected publications including The Royal Photographic Society Magazine and FRAMES Magazine. In 2025, I was delighted to serve as the Royal Photographic Society Visual Art Group Monograph Photographer.